Short films for short nights (28/06-30) – Lounge

Modern artists have invented new forms of image-making, from photography to glued paper, to gestural painting, and these techniques in turn influence cinema. This program explores images and their surfaces through incised, painted, tinted, cut or glued films. It also includes films that create afterimages in the retina, treating the eye itself as a compositional surface.

Live music by Cecilia Lopez

Free radicals (1958), Len Lye, sound, 4 min. 58 s.
Journey to the planet Jupiter (1909), Segundo de Chómon, silent, 8 min. 10 seconds.
Form Phases #4 (1954), Robert Breer, sound, 5 min.
butterfly light (1963), Stan Brakhage, 16 mm, silent, 3 min. 25 seconds.
Little dog for Roger (1967), Malcolm Le Grice, 1967, silent, 13 min.
A visit to Picasso (1950), Extract from Paul Haesaerts, sound, 4 min. 43 sec.
Cinéblatz (1967), Jeff Keen, sound, 2 min.
Glen Falls sequence (1937–46), Douglas Crockwell, silent, 8 min.
The astronauts (1959), Walerian Borowczyk and Chris Marker, sound, 12 min. 39 sec.
Cinderella (1922), Lotte Reininger, silent, 13 min.

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