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International Writing Program welcomes writers from 29 countries

International Writing Program welcomes writers from 29 countries

This fall, 32 writers from across the globe traveled to Iowa for an 11-week-long residency at the University of Iowa’s International Writing Program.

Since 1967, the program has hosted 1,600 writers from over 160 countries. It’s the longest-lasting partnership between literary residence and the US Department of State.

Christopher Merrill is in his 25th year as director of the program.

“The writers come, I tell them on this day of orientation, they are here to write, and that should be their primary focus,” Merrill said. “But we also hope that by the end of their stay they will have gained many new impressions of this country and of the literary traditions of their fellow writers, and they will have made some lifelong friendships.”

Merrill said the public can access free events during the writers’ stay to hear their work, including Tuesday night readings in the Shambaugh House on the UI campus, Sunday afternoon readings at Prairie Lights Bookstore and panel discussions every Friday at noon at the Iowa City Public Library. Event details are available at the IWP website.

River to River Host Ben Kieffer is interviewing several of these writers during their stay in Iowa City. This page will be updated as these interviews air. Meet the writers below.

Peter Zavada

Péter Závada smiles for a portrait.

Natalie Dunlap

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Iowa Public Radio

Péter Závada is a poet, playwright, translator and a teacher from Hungary. His writing combines scientific texts with poetry. Závada said in contrast to many younger generation poets, he does not prefer personal poems.

“I really like impersonal things. They calm me down. And for some reason, when I go to university and I used to study there, and now I teach their scientific texts, they arouse me. They give me ideas. They influence and inspire me. So this is how some of my texts, some of my poems, are made up.”

Závada was in crowded New York City in the spring and visited Los Angeles in the summer, a city that he said was isolating because people were sitting in their cars all the time. He said Iowa is something in between.

“Once you become a writer, you know of Iowa — even in Europe, and even in Eastern Europe.”

He hopes to write a play during his residency.

Péter Závada reads a poem about an octopus

Pervin Saket

Pervin Saket poses for a portrait.

Natalie Dunlap

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Iowa Public Radio

Pervin Saket, an Indian poet, novelist and editor said she began writing in part as a way to befriend other writers. Her work focuses on characters without large voices and celebrates them.

“I find that I tend to lean towards work that fills in the gaps. Even in conversations, when there’s a party, for instance, and there are a lot of people talking, I am listening for the quiet people,” she said. “I’m looking at the people who don’t really seem to take center stage, and much of my writing tends to do that too.”

In addition to her literary writing, Saket is also an author of ten biographies for children about impressive Indian women in science and sports. She said there are female role models in India, but many people aren’t aware of them, and her book seeks to address that.

Saket said it’s been enriching to meet writers from so many different countries during her stay in Iowa.

“I’m going to be working on my novel while I’m here, and I think that this perspective and distance is going to enrich what I’m doing in the book as well,” she said.

Saket shared a poem titled “Janus” during her interview. The title refers to a mythical god with two faces, one that looks at the past and one that looks at the future. Her poem plays with structure, using verse to express oppression and empowerment.

“This poem was published in an anthology called Veils, Halos & Shackles: International Poetry on the Oppression and Empowerment of Women. So I thought about writing a poem that speaks to both the idea of ​​oppression and empowerment at the same time. But how does one do that? So this particular poem uses the same verse to express oppression and empowerment, but the verse is read in reverse order.”

Pervin Saket reads his poem, “Janus”

These interviews were produced by Caitlin Troutman and Dani Gehr.