Are we still stuck in the dream?

It’s been over ten years Commencement hit screens, but the film’s final shot still haunts us. That heartbreaking moment – ​​Cobb’s toll – lingered in our minds long after the credits rolled. Did it fall over? Was it real? Or were we, like Cobb himself, trapped in a dream? The debates raged, with viewers lighting metaphorical cigarettes and diving deep into each frame in search of answers.

Let’s get to the heart of the matter first. The Start of final act begins with Cobb and his team navigating the layered dreamscape created by their chemist Yusuf. The mission? Plants an idea in Fisher’s head to dismantle his father’s empire while avoiding the projection of Cobb’s late wife Mal. As if that weren’t enough, Mal shows up and chaos ensues: Fisher is shot and the team must dive into limbo to save him. It’s like a dream within a dream, but instead of comfort there is an emotional confrontation between Cobb and Mal, which serves as a twisted therapy session.

Once they complete the rescue mission, Cobb is finally free to return to LA, and his father-in-law Miles (Michael Caine) waits at the baggage claim. But before he can hug his children, he spins his totem: a spinning top that once belonged to Mal. It continues to roll as the camera cuts to black, sending us into a state of collective panic. Was this reality or another layer of the dream? Theories flew like confetti, with some suggesting that the real totem is Cobb’s wedding ring, which he wears in the final scene. But have we missed the more important question?

The real crux of the ending isn’t whether the top falls over; what matters is whether we can trust Cobb’s perspective. This is his journey, after all. Throughout Inception, Cobb struggles with guilt over Mal’s death and his role in her mental decline. The lines blur between what is real and what is a construct of his fractured psyche. Early in the film, he tells Saito (Ken Watanabe) that the most resilient parasite is an idea, and this idea resonates throughout the film. It sows a seed of doubt: can we trace the genesis of Cobb’s reality?

The story refers to Cobb’s unreliability. He is slippery and often contradicts his own rules about dream manipulation. Remember when Arthur (Joseph Gordon-Levitt) was the “Mr. Charles” guess? “Didn’t Cobb tell you never to do that?” he asks, highlighting how Cobb’s judgment is as questionable as his reality. This issue of trust is crucial to understanding the ending.

As the film winds down, we see Cobb finally free from his burdens, embraced by his children. But wait a minute: didn’t they look frozen in time, like snapshots from his memories? The unanswered questions linger heavily. Has he really let go of Mal, or is he still struggling with the guilt of his past?

Inception isn’t just a heist movie; it reflects Cobb’s psyche. Dreams help us process feelings and thoughts, and for Cobb, this dream could be his way of coping. He finds himself in a sacred space of his own creation, navigating the depths of his mind. Was he home, or was it all just a dream? That’s the twist we may never fully decipher.

If you want to relive that journey, you can rent Inception on Amazon Prime Video. Buckle up for another mind-blowing ride!

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