Stevie Nicks Shares Roe v. Inspired Single “The Lighthouse” Wade

“All the rights you had yesterday are being taken away from you,” she sings, “and now you’re afraid, you should be afraid, you should be afraid.” The song was inspired by the overturning of Roe v. Wade by the Supreme Court, which guaranteed women the right to abortion for nearly four decades.

Nicks wrote “The Lighthouse” in response to the news. “It seemed like overnight people were saying, ‘What can we, as a collective force, do about this…’ For me, it was about writing a song,” he said. she explained.

The singer-songwriter was watching TV when she came across a reporter talking about “what losing Roe v. Wade.” She wrote the song the next day.

“I’ve often said to myself, ‘This may be the most important thing I’ve ever done,'” Nicks continued, “to stand up for the women of the United States, their daughters and granddaughters, and the men who love them. It’s an anthem.

The accompanying music video emphasizes the song’s message. He begins with several definitions of the word “beacon,” including “a powerful beam that illuminates a path from darkness and uncertainty toward light.” This seems to reflect Nicks’ goal with the song, an anthem meant to provide guidance to women who might be feeling uncertain in the current political landscape in the United States.

Shots of Nicks looking out at rough seas from a lighthouse are then intercut with images of protests and political signs over the decades. “The hardest decision a woman can make is not yours,” says one. At the end of the video, Nicks leads her own protest on the beach.

Following the release of “The Lighthouse,” the former Fleetwood Mac singer is expected to appear on Saturday evening live this weekend. Ariana Grande will host the episode, while Nicks will be the evening’s musical guest.

As of now, Nicks has yet to reveal whether “The Lighthouse” is a one-off single or if it offers the first taste of a new album.

Last summer, Nicks made headlines at BST Hyde Park in London. In a magazine, Far wrote: “Beyond the memory of his own career through the exhibition of his different costumes and the interpretation of his successes which span a decade, the show is charged with a feeling of sorrow, of responsibility and bittersweet celebration. Nicks devotes a lot of time in his set to remembering his lost friends, sometimes even showing the faces of deceased idols on other tracks, such as flashes of Prince and a final wail of “When Doves Cry” at the end of “Edge of”. Seventeen’.

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