Lizzie Rose Music Room presents Sue Foley

originally published: 07/12/2024

Photo by Mark Abernathy

(TUCKERTON, NJ) — On Wednesday, August 21, 2024, the Lizzie Rose Music Room presents 4x Blues Music Award Winner Sue Foley. She will be bringing her band, The Pistolas and will also perform a solo acoustic set, featuring songs from her latest album, One Guitar Womanwhich was recently released on Stony Plain Records. Showtime is 7:30pm.

One Guitar Woman is a solo acoustic album that is a tribute to female pioneers of guitar. True to the album title, Sue performs all the songs on one guitar – a nylon-string acoustic guitar, a flamenco Blanca made by master luthier Salvadore Castillo, purchased by Sue on a 2022 excursion to Paracho, Mexico.

True to the album title, Foley performs all the tracks on a single acoustic guitar, a nylon-string Flamenco guitar that she bought from a master luthier on a 2022 excursion to Paracho, Mexico. Sue notes in a recent Vintage Guitar interview that she chose the Flamenco guitar over a standard classical guitar because she could play it a little harder: “I wanted a flamenco because you can beat them up a little bit more than the classicals — classicals are very resonant and pristine, but flamenco is a little more utilitarian. I needed something with a little more grit, and I decided on a beautiful Flamenca Negra from Salvador Castillo.” The audiophile-quality album was produced by Mike Flanigin, recorded by Chris Bell at Blue Rock Studios in Austin, and mastered to Dolby Atmos Surround Sound at Abbey Road Studios in London.

Tickets are $35 in advance, $40 at the door. Tickets are available for purchase online. Lizzie Rose Music Room is located at 217 East Main Street in Tuckerton, New Jersey. Free parking is available.

One Guitar Woman is more than a tribute album. Foley doesn’t merely cover these artists’ songs; she absorbs their style and inhabits the soul of the music. Her guitar work is so deep and natural that it seems to rise from the same roots that gave birth to the originals, while her vibrant vocals bring new life to the lyrics and make the songs her own. Esteemed music writer Hal Horowitz notes in Rock & Blues Muse, “Most impressive is Foley’s compelling voice, always expressive even with the amps turned up to 10, but even more so here. She finds empathy with these women writers in her soulful interpretations of their lyrics, which wouldn’t have as much ache and clout if sung by a man.”

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One Guitar Woman was a voyage of self-discovery for Foley. As she says in the Final Words of her liner notes: “There’s something that transformed in me when I started to research these female pioneers of guitar. Knowing that they had persevered through decades of challenges and trials so that my trials were lessened has taught me humility, and having a clear understanding of their accomplishments makes me want to reach higher in my own career. They forged the path for all female guitarists, leaving us not just the trail, but a map of directions and the wisdom to navigate it.”

The first two radio singles, Elizabeth Cotten’s “Oh Babe It Ain’t No Lie” and “Maybelle’s Guitar,” Sue’s original homage to country music matriarch Maybelle Carter, give a glimpse into the depth and variety of the song and style selections. The twelve inspiring tracks on this album also honor the hard-driving Memphis Minnie, Sister Rosetta Tharpe, French classical guitarist Ida Presti, Tejano sensation Lydia Mendoza, the often-underrated Charo, and less well-known but equally compelling Southern blues women Geeshie Wiley and Elvie Thomas. Foley not only chose songs associated with each of the artists (apart from the Maybelle Carter selection, which she wrote herself), she covered a wide range of styles and techniques including Piedmont fingerpicking, Flamenco, classical, the Carter Scratch and more.

As writer Meghan Roos notes in her Blues Rock Review interview, “One Guitar Woman comes together as a careful and creative study of several women who influenced generations of guitar players. The challenges Foley embraced in mastering each artist’s unique playing style also give the album real stakes by pushing it beyond what most tribute albums try to achieve.”

Lizzie Rose Music Room is a “listening room”, not a bar or restaurant. They present a variety of music including blues, jazz, bluegrass, country, rock, soul, singer-songwriters, and more.

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