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Vidya Balan follows the dressing method in Bhool Bhulaiyaa 3 promotions with black sarees 3: Bollywood News

Vidya Balan follows the dressing method in Bhool Bhulaiyaa 3 promotions with black sarees 3: Bollywood News





Vidya Balan is known for her method of dressing during film promotions, selecting her wardrobe to align with her characters. In your last film Bhool Bhulaiyaa 3She prefers sarees and black clothes. This approach has been consistent throughout his career, including iconic films like Ishqiyawhere her saree choices reflected her character’s personality.

Vidya Balan follows the dressing method in Bhool Bhulaiyaa 3 promotions with black sarees

Ishqiya: In this film, Vidya wore reverse pallu draped style sarees in bhadkeela colors, which not only added a unique visual element but also reflected the bold and unconventional personality of her character.

Kahaani: For this thriller, Vidya wore a fake belly during promotions, blurring the lines between her real life and real life and adding an extra layer of authenticity to her portrayal of a pregnant woman on a mission to find her missing husband.

The dirty image: Vidya’s retro-inspired outfits in this biographical drama were crucial in capturing the essence of the 1980s and the flamboyant personality of Silk Smitha, the character she played.

Nobody killed Jessica: Vidya opted for kurtis and glasses, which helped portray the seriousness and determination of her character, a journalist seeking justice.

Tumhari Sulu: In this heartwarming film, Vidya’s choice of simple, regular sarees and prints highlighted her character’s middle-class background and her simple yet vibrant personality.

Vidya Balan’s approach to dressing method during film promotions has set a new standard in Indian cinema. Her ability to use her wardrobe as a tool to make her characters unforgettable is a testament to her dedication and understanding of her craft. By paying attention to the smallest details, she ensures that her characters are not only believable but also memorable.

Also read: MAMI Masterclass: Shabana Azmi reveals mainstream cinema’s obsession with ‘gandi si kangi’; adds “If I asked Manmohan Desai, ‘Iska kya matlab hai?’, he would say, ‘Iska kuch matlab nahin hai. Yeh Satyajit Ray ki photo nahin hai’”

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